Within the quiet ambiance of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. His carriage is effortlessly straight-backed, his limbs defined beneath a plain tee. During performances, ballet dancers can appear like mighty deities, yet often in person they are small. Not so Ball, whose tall stature is one reason for his demand for heroic characters and pas de deux work. Possessing delicate features and piercing eyes, there's a hint of Robert Pattinson about him.
An Apparent Ascent to the Top
Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Growing up in Liverpool, he faced little teasing for his early passion in ballet. Entering the Royal Ballet School at 11, he graduated straight into the company and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved taking on substantial characters, particularly the psychological angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
His next starring role is as himself, in an "Evening With" event aiming to offer intimate perspectives into a dancer's art. He will walk the crowd through a role, showing his cognitive workflow while execution. Yet in lighter ballets, the test is profound. "Don Quixote is one of the most demanding technically," he notes.
The Mental Game and Post-Performance Feelings
What about following a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to extract all the emotion out of it, and get immersed in the role, frequently I do feel embarrassed afterwards. After an intense role I'm always like: God, what must people think?"
In person, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Does this exist? "I'm quite energetic usually, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for good change."
Early Motivations and Creative Inspirations
Ball's tenacity originated in early experiences. Not doing well in competitions at school made him "driven!" It was fuel to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he remembers.
An upcoming challenge is making his own dance works. In his view, "organic movement has value." "Challenging the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing inspiration from books, compositions, and painting.
Intimate Dance and Private Dynamic
He also favors presenting dance in smaller spaces. "It was just really thrilling," he says of a past experience. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"
Ball has created pieces with his partner, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They are not typically paired on stage at their home company, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite cheerleader."
On Social Media and Bodily Perception
On social media, fans can see videos from his dance films and images that showcase a athletic form. Does he care that the engagement can be a bit focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to viewing Michelangelo’s David—an object that can be interpreted on multiple levels.
Ball describes his early self as "eager for success." Did it met his hopes? "I am conscious of how reality is a separate thing to the dreams you had as a child," he muses. He likely has another decade of performing ahead. "I guess in the time to come, I want to be a bit more kind with myself."